Classicon Africa When classical Africa meets contemporary See it Feel it Love It

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dc.contributor.authorMarina Khan Zada
dc.date.accessioned2018-04-09T07:13:13Z
dc.date.available2018-04-09T07:13:13Z
dc.date.issued2017
dc.descriptionSupervised by: Mr. Adil Maqsooden_US
dc.description.abstractWax prints and the non-wax prints were the most earliest material prints sent out to Ghana by the Europeans. These prints, which are normally alluded to as traditional prints were generally utilized by Ghanaians amid the nineteenth and the twentieth century. As time went on, outline inclination changed and material makers adjusted more inventive courses in planning that fulfilled the taste and requests of material customers. This thus offered ascend to contemporary outlines that were immediately grasped by the general population particularly by the young.The motivation behind the investigation was to enlarge the extent of African print outlines by making new plans that fuse traditional and contemporary outline ideas. Tests of African prints were watched and talks with led to decide the motivation behind why individuals favored either established or contemporary prints. The discoveries prompted the advancement of new outlines named "classicon". The "classicon" prints consolidate the components, standards and theory of both the traditional and the contemporary plans. The investigation suggests that material planners ought to think about the mix of imagery and feel in material outlining.en_US
dc.identifier.urihttps://escholar.umt.edu.pk/handle/123456789/2926
dc.language.isoenen_US
dc.publisherUniversity of Management and Technologen_US
dc.subjectoutlines named "classicon"en_US
dc.subjectThe "classicon" prints consolidateen_US
dc.subjectBS thesisen_US
dc.titleClassicon Africa When classical Africa meets contemporary See it Feel it Love Iten_US
dc.titleClassicon africa when classical africa meets contemporary see it feel it love iten_us
dc.typeThesisen_US
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