(Post-)Colonial Silence(s) and Critical Practice(s): Some Perspectives on Waseem Anwar’s “Black” Women’s Dramatic Discourse

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dc.contributor.authorMuhammad Furqan Tanvir
dc.date.accessioned2015-11-13T10:58:07Z
dc.date.available2015-11-13T10:58:07Z
dc.date.issued2015
dc.description.abstractThis article comments on Waseem Anwar‟s book “Black” Women’s Dramatic Discourse: A Psychosemiotic Study of Silence in Selected Plays by African American Women Dramatists to illustrate how the essential plurality of postmodern critical practices, in spite of their overt emphasis on anti-traditionalism, are rhetorically governed by academic jargon that is a multifaceted tradition in its own right. In doing so, it will introduce the reader to Waseem Anwar‟s critique, in the wake of postcolonial studies, of the dialogic nature of language in evaluations of race and gender.en_US
dc.identifier.citation7. Tanvir, M. F. (2015). (Post-)Colonial silence(s) and critical practice(s): Some Perspectives on Waseem Anwar's ""Black" Women's Dramatic Discourse". Linguistics & Literature Review.en_US
dc.identifier.urihttps://escholar.umt.edu.pk/handle/123456789/1602
dc.publisherLinguistics & Literature Reviewen_US
dc.subjectPostmodern criticismen_US
dc.subjectPostcolonialismen_US
dc.subjectSilenceen_US
dc.subjectBlack womenen_US
dc.subjectAfro-American Dramaen_US
dc.subjectDialogic representationen_US
dc.title(Post-)Colonial Silence(s) and Critical Practice(s): Some Perspectives on Waseem Anwar’s “Black” Women’s Dramatic Discourseen_US
dc.typeArticleen_US
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