DECONSTRUCTION OF BABA BULLEH SHAH’S SUFI NARRATIVES

dc.contributor.authorPriya Anwar
dc.date.accessioned2025-08-08T12:29:09Z
dc.date.available2025-08-08T12:29:09Z
dc.date.issued2021
dc.description.abstractThis study explores Baba Bulleh Shah’s narratives from the genre of Punjabi Sufi poetry called the k𝑎fi یَََکِ . Sixteen k𝑎fis یَََ یَََکِ are interpreted through Jacque Derrida’s framework of deconstruction. Ten theological deconstruction elements are considered e.g., negative theology, La Diff𝑒́rance and sous rature to name a few. These elements are associated with twenty linguistic patterns like epanorthosis, tautology, and personification, etc., discovered in the k𝑎fis یَََ یَََکِ to compare the philosophies of Derrida and Bulleh Shah. Thematic analysis with three stages of coding: In vivo, descriptive and value coding has been used to find themes and subthemes in the selected k 𝑎 fis. These themes derived through linguistic patterns are then interpreted for compatibility, under compatibility, and over compatibility with Derrida’s deconstruction elements to develop an indigenous deconstruction model.
dc.identifier.urihttps://escholar.umt.edu.pk/handle/123456789/4692
dc.language.isoen
dc.publisherUMT, Lahore
dc.titleDECONSTRUCTION OF BABA BULLEH SHAH’S SUFI NARRATIVES
dc.typeThesis
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